Hey Speaker Friends,
Letās talk about something thatāsĀ hugelyĀ underestimated in public speaking:Ā your appearance. Not in a shallow way. Iām talking about how your wardrobe and makeup choices directly affect yourĀ confidence, stage presence, and how you're perceived by clients and audiences.
Iāve hadĀ multiple meeting planners tell me they hired me in part because of how I dress. This is usually for fundraisers or dinners where they want someone funny, but they want the event to have a nice feel. They didn't want a "comedian" type look.
Fun fact:Ā Iām kind of known for wearing pink dresses and being dressed up. It sounds obvious as a speaker, that you should dress professionally or nice. However, there are aspects that I learned from years of stage and hours with costumers that help me know what visually pops and works in my favor.
1. Your Wardrobe = Your Nonverbal First Impression
Before you say a word, your audience is making snap judgmentsāand so are the event organizers.
Ward...
I recently emceed an event with a variety of motivational speakers. Some of the content was brilliantāauthentic, personal stories delivered with heart. But as I watched from the wings, one thing stood out clearly: a few speakers hadĀ something more.
Iāve written about it before, but it remains one of the clearest differentiators on stage.
Itās the āIt Factor.ā
For years, Iāve tried to define exactly what the āIt Factorā isābecause audiences feel it, meeting planners want it, and every speaker chases it. While I do believe some people are naturally wired with it, thereās one element that seems to be at the core:
Energy.
Not frantic, nervous energy. Not forced enthusiasm. Iām talking about aĀ deliberate, grounded energyĀ that expands beyond the speaker and fills the entire room. Itās the kind of energy that can carry a story, a song, or a speechāno matter the pace, tone, or emotional range.
And hereās the catch: most speakers unintentionallyĀ leakĀ their energy.
When youāre excited or ...
When I used to teach acting, my most "challenging" studentsāthe ones who overacted or couldn't quite connectāgot a very specific prop from me:Ā food.
Yep. Real food.
Why? BecauseĀ you canāt fake eat.
When youāve got a mouth full of chips or a slice of pizza in your hand, you stop performing. YouĀ just say the line. And suddenly, it's real. It's grounded. It's human.
I once had a student eat his way through an entire play. And every. Single. Line. Sounded authentic. Why? BecauseĀ the prop pulled the performance out of him, not the other way around.
And this technique? It works in the speaking world too.
One of the most powerful monologues I ever saw was just a man, a pocket knife, and an apple. He slowly sliced the fruit as he spoke. No theatrics. No gestures. Just... presence.
(Okay, donāt bring a knife on stageāIām not trying to get you tackled by TSA. š )
ButĀ the idea stands: AĀ personal propāsomething meaningful that connects to your messageācan elevate your storyĀ instantly.
š ...
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Letās be realātodayās audiences have the attention span of a caffeinated squirrel. With phones buzzing, brains multitasking, and minds wandering, grabbing your audience's attention isnāt just importantāitās survival. As a speaker, you've gotĀ secondsĀ to go from "meh" to "Whoa, tell me more!" So how do you nail that opening moment and keep people leaning in instead of checking out?
Letās break down the art (and science) of audience engagementāstarting with the first 30 seconds.
Think of your opening as yourĀ mic drop momentāonly itās at the start instead of the end. It's your first chance to say,Ā āHey! This matters. YOU matter. Stick with me.ā
A strong hook does three things:
Ā
Ā
Fall flat in the first 30 seconds, and it doesnāt matter how b...
The number one most boring speakers are those who think they are teaching us something. They drone on with points, information, graph filled slides and zero thought to the audiences emotional journey.
In acting, there is something called, "The Moment Before". This is a question you ask your self regarding your character the moment they before they come on the stage.
If the character enters the stage and has a line, "Hey, are you in here?" the line can read VERY differently I regards to what happened the moment before.
Here are some examples:Ā
*They just woke up from falling asleep on the lounge chair outside.
*They just ran 10 miles to get home after their car was stolen.
*They just won the lottery.
What happens the moment before makes the same line mean VERY different things.
I like to use this analogy, because your audience has a "moment before" you walk on the stage. They way they are feeling, or what they are thinking is VERY different which means your talk will go VERY dif...
We've all sat through those presentations. You know the ones.
Slide after slide of charts, bar graphs, andĀ statistically significant snooze-fests.
Hereās the thing: data doesnāt move people. Emotions do.
If you're a speakerāwhether on a stage, in a boardroom, or pitching to a potential clientāyour goal isnāt to transfer information. Itās to inspire action. And that happens when your audienceĀ feelsĀ something.
š Swap Stats for Stories š¼ļø Trade Graphs for Gut Punches šÆ Use Visuals that Move, Not Just Inform
In the short video above (taken from my courseĀ "How to Add Creativity, Humor and Audience Engagement to Your Speech"), I break down exactly how to use emotionally-charged visuals in your slides to create connectionāand convert audiences from passive listeners toĀ raving fans. I show some of my ACTUAL slides, as an FYI. (AKA - You'll want to click and watch.)
Ā
Letās break this down:
š¹Ā Why Stats Often Fail:Ā Numbers donāt stick. What sticks is theĀ emotionĀ behind the message. A...
As motivational speakers, our ultimate goal is not just to entertain or inform ā it's to inspire action. Whether you're helping an audience navigate uncertainty, embrace change, or overcome personal obstacles, the power of your message lies in its ability to move people into action.
But how do we, as speakers, tap into the psychology of our audience to create lasting impact? The answer lies in understanding the emotional and cognitive responses that drive human behavior.
The human brain is wired to respond to emotions before logic. While facts, figures, and logical arguments are important, they donāt move people the way emotions do. Research in neuroscience tells us that people are more likely to take action based on how they feel in the moment, rather than what they think.
As a speaker, your goal should be to create an emotional connection. You want your audience to feel something ā whether it's excitement, empathy, or inspiration. When you e...
I shot this video to teach about Speaker Demo Reels and hawk my wares.
When I went to trim it, I noticed several things about this video. I thought about NOT posting it because of what I saw. However, I realized there's some valuable lessons in how much the details matter when you are shooting video.
I shot this with a Logitech Brio 4k computer camera, and a Samsung Q2U microphone. I shoot in my bedroom because there are two large windows and the natural light works best. (I do have lights, but I prefer natural if I can use it. Plus, setting up the lights to get them right is such a pain in the rear and I don't want to do it every time I shoot.)
I recorded this on Zoom because I have a pro level account through the National Speaker's Association and it's easy to use.
The video is 10 minutes long and there is a HUGE shift in the lighting. It starts in the bottom corner and you will see the sunlight grow into a big bright spot. Most of the day the sun is behind my house so there is...
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Iām going to be honestāI donāt think everyone can be funny. Weāve all sat through someoneĀ tryingĀ to be funny, and it was awkward and painful, like watching a slow-motion car crash. ShootāIāve even been awkward and painful at times when trying out a new joke.
But thereĀ isĀ one technique I believe anyone can do. And even if it doesnāt make you hilarious, it will at least make your storytellingĀ dramatically more engagingāwhether humor is your goal or not.
Ā Whatās at Stake?
Ā This is a question actors ask themselves almost immediately when given a role.Ā A story must have conflict in order to be a story.Ā What a characterĀ stands to lose or gainĀ shapes how they reactāand thatās where the magic happens.
Ā There are different levels of stakes:
You got the rejection email. You were in the running, and THEN they went with someone else. Not only did they go with someone else, but you know thatĀ someone elseāand youāre a better speaker.
So why did they hireĀ that personĀ instead of you?
Coming from the acting world, I can tell you there are a few reasons you may not have considered as a speaker.
You can be an amazing speaker, but if you have a boring headshot where you look like everyone else, a so-so demo reel, and an uninteresting talk title, theyāll glaze right over you.
In acting, the headshot is everything. There has to be something that stands outāusually the expression, the eyes, or the colors. The same is true for your photo. If you have the typicalĀ boringĀ gray or blue background headshot with your arms crossed in a suit⦠snooze.
You needĀ somethingāwhether itās a standout demo reel, humor in your email, or a talk title that makes people do a double takeāto get them to look at y...
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